No Cutlery by Gitan Djeli

Published in Issue 1 | May 2017


The heat in Frankfurt reminds me of Mauritian summers

Where earth, food, air and islandness mingle and stick to the skin

Where hot coffee would be better drunk from the saucer

But oh! how weird would that look here?

I remember my grandmother sitting under the shade of the mango tree

Blinded by the bright white sunlight of the concrete building

Enjoying a cup of sweet tea in her gilas

Poured in little sips in her metal saucer

Her morning brewed tea reheated

Which tasted heavenly cool.

I close my eyes

My body limp from the heat

My sensations lost between two worlds

Hot coffee, warm tea

Sweet turkish delights, salty moulkou

Sticky finger, dusty finger

Other organs reacting

Tongue, flesh, finger

Organ-ic experience 

And not the organic greening of capitalism!

Organ-ic memories

I feel the mushy soft whole potatoes in my fingers

The brown curry staining my skin

Cooked with so much tradition in the back kitchen 

Improvised to cater for the wedding guests

The loud music, the shimmering colours of sarees 

Wrap the body in comfort and solace

The body moves and is moved 

The sensation registered by the body 

Before food reaches the mouth. 

Remembering set kari. Seven vegetarian dishes.

A small white volcano of rice 

With spicy yellow dhall churning in the middle 

Pickled white cabbage, carrots and beans wrapped in saffron

A messy circle of tasty eggplant with bright leaves of coriander

A speck of cut green chillies

A tumble of mild green banann frikase

My favourite! Double serving of koutia grated green mangoes in spices

All displayed elegantly on a banana leaf 

Inviting my tingling fingers to touch, feel, cup and bring to my lips.

A feast to the body.

The colours are indeed a feast to the body

And the smell is orgasmic 

The eye as organ receives the visuality of it all

The mouth the physical textures 

The internal body receives the smell

The sensations difficult to put in words, language having its limitation

How to describe the will of the finger, the wish to meet the tongue

The extremity of the flesh uniting with the organs

The connections but also the tensions

The sensation of tension.

The urge to dig in builds up

My flesh fingers the warmth of the food

It examines the texture

It mixes and knows what works well

The volcano crumbles and the yellow lava spreads in smooth patterns

It’s hot, warm, slippery, finger licking.

The materiality of the flesh bonding with freshly cooked food

Both flesh synchronised in a temporal moment

Capturing its splendidness 

Before the inevitable process of decay.

This is the time to discard bourgeois etiquette

The time to forget colonial heritage

Porcelain, silver, glass, even terracotta are no food rituals today

Sit properly, back straight, no elbow on the table, fork on the left…

All left to that other house, supposedly called home

Home is here

Home is in my body

Home starts at the tip of my fingers

No silver spoon between fingers, food and tongue

The flesh, the touch never separated.

Food and flesh encounter the same ecstasy

The body is present

No silverware to break the union of bodies

Silverware that invades our intimacy

Worse, it shapes, structures the relationship between flesh and flesh

Between finger and food.

My finger probes the vegetarian dishes, touches delicately

Carries it with care and grace to the lips.

Humidity, temperature, love all synchronised

Food, finger, tongue, smell

No break. No violence. No cutlery

Even children! No plastic designed ergonomic spoon today

Ritual, nature, culture imposes itself

The child’s body is freed, the finger allowed to perform what it was designed to do 

Touch, taste, feel, desire.

Memories come splurging to my body

Not the brain but the body

Memories at the tip of the flesh

Remembering the feel of different consistencies

Feeling the liquid flow from the tip to the palm

No napkin as well today

The tongue licks the sauce, stops its adventurous flow

The tongue, the food, the palm is again re-united

The body is finally reclaimed. 

Sara Jafari